USER GUIDE

RRRESPONSEQ IS A SEQUENCER DESIGNED FOR LIVE PERFORMANCE, BUT ALSO USEFUL AND FUN FOR CREATING WILD IDEAS IN THE STUDIO. IT'S BUILT TO REDUCE THE COMPLEXITY OF A DAW WHILE GIVING ACCESS TO EUCLIDEAN AND STOCHASTIC FUNCTIONS, DIFFERENT LENGTHS, PLAYBACK MODES, AND SOME EXPERIMENTAL IDEAS LIKE PATTERN MORPHING. IT IS CURRENTLY IN DEVELOPMENT — YOU MAY ENCOUNTER SOME ISSUES. IF YOU HAVE ANY QUESTIONS, FEEL FREE TO REACH OUT AT UGE@AZ-ROTATOR.COM.


OPEN THE APP → INTERFACE LOADS AT localhost:5001. SELECT A TRACK. PRESS PLAY. ADJUST PULSES AND STEPS TO SHAPE THE EUCLIDEAN RHYTHM.

INTERFACE

THE WEB UI RUNS AT 1440×920 AND SCALES AUTOMATICALLY TO ANY SCREEN SIZE. THE RENDER BELOW IS LIVE WHEN THE APP IS RUNNING.

A·SEQ
FWD
120
4
PULS
16
STEP
100
PROB
FWD
MODE
100
VEL
0
SWNG
1/16
RESL
0
ROTA
TRK1
ELEMENTDESCRIPTION
HEADERACTIVE PAGE (A–D), PLAY MODE, AND BPM. ALWAYS VISIBLE.
PARAM GRID8 PARAMETERS FOR THE ACTIVE TRACK ON THE CURRENT PAGE. VALUES UPDATE IN REAL TIME.
STEP ROWBOTTOM — STEP PATTERN. LIVE WHEN SEQUENCER IS RUNNING.
TRK BOXBOTTOM LEFT — ACTIVE TRACK NUMBER, OUTLINED IN ITS COLOUR.

STEP STATES — WHAT EACH COLOUR MEANS:

INACTIVE
ACTIVE
PLAYHEAD
PLAYHEAD
ON REST
P-LOCK
P-LOCK
INACTIVE
REST
(REC)
PATTERNS LONGER THAN 32 STEPS SWITCH TO A DOUBLE-ROW DISPLAY. UP TO 64 STEPS PER TRACK.

TRACKS

8 INDEPENDENT TRACKS. EACH HAS ITS OWN EUCLIDEAN PATTERN, MIDI CHANNEL, SCALE, AND FULL PARAMETER SET.

EUCLIDEAN PATTERNS — PULSES ARE DISTRIBUTED AS EVENLY AS POSSIBLE ACROSS STEPS. 3 PULSES IN 8 STEPS = SON CLAVE. 5 IN 8 = QUINTILLO.
PROPERTYRANGEDESCRIPTION
STEPS1–64TOTAL PATTERN LENGTH.
PULSES0–STEPSNUMBER OF ACTIVE (TRIGGERED) STEPS.
CHANNEL1–16MIDI CHANNEL THIS TRACK OUTPUTS ON.
MUTEON/OFFMUTES MIDI OUTPUT. PATTERN STILL ADVANCES.

SEQ PAGE

RHYTHMIC STRUCTURE OF THE ACTIVE TRACK. DEFAULT PAGE ON STARTUP.

A·SEQ
FWD
120
4
PULS
16
STEP
100
PROB
FWD
MODE
100
VEL
0
SWNG
1/16
RESL
0
ROTA
TRK1
1
PULS
NUMBER OF ACTIVE STEPS. INCREASING PULSES MAKES THE RHYTHM DENSER. 0 = SILENCE. MAX = STEP COUNT.
2
STEP
TOTAL PATTERN LENGTH. DIFFERENT LENGTHS PER TRACK CREATE POLYRHYTHMS. RANGE 1–64.
3
PROB
TRIGGER PROBABILITY PER STEP. 100% = EVERY STEP FIRES. LOWER VALUES INTRODUCE RANDOM SILENCES — THE CORE OF THE GENERATIVE ENGINE.
4
MODE
PLAYBACK DIRECTION. SEE PLAY MODES FOR ALL OPTIONS.
5
VEL
BASE MIDI VELOCITY FOR ALL NOTES. 0–127. OVERRIDEABLE PER STEP WITH P-LOCKS.
6
SWNG
SWING AMOUNT. DELAYS EVERY SECOND STEP TO CREATE GROOVE. APPLIED TO THE ACTIVE TRACK ONLY.
7
RESL
STEP RESOLUTION MULTIPLIER. CHANGES HOW MANY CLOCK TICKS EQUAL ONE STEP (1/8, 1/16, 1/32…).
8
ROTA
ROTATES THE PATTERN AND ALL P-LOCKS TOGETHER. SHIFTS THE RHYTHM IN TIME WITHOUT ALTERING ITS STRUCTURE.

NOTE PAGE

MELODIC AND HARMONIC CONTENT. KEYBOARD INPUT, SCALE QUANTIZATION, AND AUTOMATIC HARMONIES.

B·NOTE
FWD
120
C3
NOTE
MIN
SCAL
0
OCT
50%
DENS
50%
SPRD
OFF
HARM
INTV
4st
NLEN
TRK1
1
NOTE
ROOT NOTE. ALL GENERATED PITCHES ARE RELATIVE TO THIS VALUE. RANGE C0–C8.
2
SCAL
SCALE USED TO CONSTRAIN PITCHES. ALL NOTES QUANTIZED TO THE SELECTED SCALE. SEE SCALES.
3
OCT
OCTAVE OFFSET. SHIFTS ALL NOTES UP OR DOWN BY FULL OCTAVES. RANGE -4 TO +4.
4
DENS
NOTE DENSITY. CONTROLS THE SPREAD OF RANDOMLY GENERATED PITCHES WITHIN THE SCALE.
5
SPRD
SPREAD. WIDENS THE PITCH RANGE FOR STOCHASTIC NOTE GENERATION.
6
HARM
HARMONY SOURCE. LOCKS THIS TRACK'S PITCHES TO FOLLOW ANOTHER TRACK'S ROOT AND SCALE. GENERATED AND KEYBOARD-RECORDED NOTES BOTH TRANSPOSE PROPORTIONALLY WHEN THE SOURCE CHANGES KEY. ORANGE = ACTIVE.
7
INTV
HARMONY INTERVAL. OFFSETS THE HARMONIC RELATIONSHIP BY A NUMBER OF SCALE DEGREES.
8
NLEN
DEFAULT NOTE LENGTH IN STEPS. OVERRIDEABLE PER STEP VIA P-LOCKS OR STEP RECORD.

FX PAGE

ARTICULATION AND TIME-BASED EFFECTS. DELAY, RATCHETING, AND GATE SHAPING.

C·FX
FWD
120
OFF
DLY
1
DTIM
50%
FDBK
0.0
RDEC
100%
RSPD
1x
RTCH
100%
GATE
CC
TRK1
1
DLY
DELAY ON/OFF. ENABLES THE INTERNAL MIDI DELAY FOR THIS TRACK. ORANGE = ACTIVE.
2
DTIM
DELAY TIME IN STEPS.
3
FDBK
DELAY FEEDBACK. HOW MANY TIMES THE DELAYED NOTE REPEATS.
4
RDEC
RATCHET DECAY. VELOCITY ENVELOPE ACROSS RATCHET REPETITIONS.
5
RSPD
RATCHET SPREAD. DISTANCE BETWEEN HITS AS A PERCENTAGE OF THE STEP DURATION. 0% = ALL HITS AT THE START (FLAM). 100% = EVENLY DISTRIBUTED ACROSS THE STEP. >100% = HITS SPILL INTO THE NEXT STEP (MAX 200%). WORKS AT ANY BPM AND RESOLUTION.
6
RTCH
RATCHET COUNT. NUMBER OF NOTE REPETITIONS PER STEP. 1 = OFF, 2–16 = RATCHET. COMBINE WITH RSPD FOR FLAM, ROLL, OR SYNCOPATED EFFECTS.
7
GATE
GATE LENGTH AS PERCENTAGE OF STEP DURATION. 100% = LEGATO. 10% = STACCATO.
8
CC
CONTINUOUS CONTROLLER LANE. SENDS A CC VALUE ALONGSIDE EACH NOTE. NUMBER DEFINED IN MAPPING.

CONF PAGE

ROUTING, PROGRAM CHANGE, AND BANK MANAGEMENT FOR THE ACTIVE TRACK.

D·CONF
FWD
120
0
PROG
1
BANK
1
PTBK
PTRN
CH1
CHAN
OFF
CLK
OUT1
PORT
OFF
DAW
TRK1
1
PROG
PROGRAM CHANGE NUMBER SENT ON TRACK START. USEFUL FOR SWITCHING PATCHES.
2
BANK
ACTIVE PATTERN BANK. 16 BANKS, EACH WITH UP TO 8 SLOTS.
3
PTBK
PATTERN BANK TARGET FOR SAVE / LOAD OPERATIONS.
4
PTRN
PATTERN SLOT WITHIN THE ACTIVE BANK.
5
CHAN
MIDI CHANNEL FOR THIS TRACK. 1–16.
6
CLK
CLOCK SOURCE — INTERNAL OR EXTERNAL SYNC VIA MIDI CLOCK INPUT.
7
PORT
MIDI OUTPUT PORT FOR THIS TRACK.
8
DAW
DAW SYNC MODE. SENDS MIDI CLOCK TO THE IAC DRIVER BUS.

STEP RECORD

PROGRAM NOTES AND PARAMETER LOCKS USING A MIDI KEYBOARD, ONE STEP AT A TIME. SEQUENCER MUST BE STOPPED.

EACH NOTE PLAYED RECORDS PITCH AND NOTE LENGTH AT THE CURRENT STEP, THEN ADVANCES THE CURSOR. HOLD A KEY LONGER TO RECORD A LONGER NOTE.
ACTIONRESULT
PLAY NOTERECORDS PITCH + LENGTH AT CURRENT STEP. CURSOR ADVANCES.
SHIFT + NOTESKIPS CURRENT STEP AS REST. STEP FLASHES RED. CURSOR ADVANCES.
MOVE KNOBRECORDS A P-LOCK (PER-STEP PARAMETER OVERRIDE).
CC LANE INPUTRECORDS CC VALUES FROM CONNECTED SYNTHS INTO THE ACTIVE LANE.
P-LOCKS — ANY PARAMETER CAN BE LOCKED TO A SPECIFIC VALUE FOR A SINGLE STEP. ROTATION (ROTA) MOVES P-LOCKS TOGETHER WITH THE PATTERN.
RECORDING CURSOR — WHEN THE SEQUENCER IS STOPPED, THE HIGHLIGHTED STEP IN THE GRID SHOWS EXACTLY WHERE THE NEXT NOTE WILL BE RECORDED. THE CURSOR ADVANCES AFTER EACH NOTE AND IS VISIBLE IN REAL TIME.

PATTERNS & BANKS

8 BANKS, EACH HOLDING UP TO 64 PATTERN SLOTS (8×8 GRID). USE BANKS TO ORGANISE SONG SECTIONS OR VARIATIONS.

OPERATIONHOW
OPEN BANK VIEW0 OR B — OPENS THE 8×8 SLOT GRID.
SAVE PATTERNNAVIGATE TO TARGET SLOT → Cmd+S.
LOAD PATTERNNAVIGATE TO SLOT → Enter. SWITCHES IMMEDIATELY.
DELETE SLOTDelete OR Backspace ON SELECTED SLOT.
SWITCH BANKShift+← / Shift+→ IN BANK VIEW, OR SBANK/LBANK ON CONTROLLER.
COPY PATTERNHOLD COPY ON LAUNCHPAD → TAP SOURCE PAD → TAP DESTINATION PAD.
MORPH A↔B (hardware)HOLD COPY ON LAUNCHPAD + TAP TARGET SLOT → SET B. THEN MOVE FADER 9 (CC 9) TO BLEND. TAP SAME SLOT AGAIN WITH COPY TO CANCEL.
MORPH A↔B (keyboard)IN BANK VIEW, NAVIGATE TO TARGET SLOT → C TO SET B. THEN Shift+↑ / Shift+↓ TO BLEND +5% / −5%. PRESS C ON THE SAME SLOT AGAIN TO CANCEL.
SLOTS SHOW THEIR STATUS AT A GLANCE: WHITE = HAS DATA · ORANGE = ACTIVE/LOADED · GREEN BADGE = IN CHAIN (WITH POSITION NUMBER).

PATTERN MORPHING

MORPH BLENDS ALL 8 TRACKS CONTINUOUSLY BETWEEN THE CURRENT LIVE STATE (A) AND A SAVED SLOT (B). THE BLEND IS PROBABILISTIC — AT 50% EACH STEP HAS EQUAL CHANCE OF FIRING FROM EITHER PATTERN.

STEPHOW
1. SET PATTERN BKeyboard: OPEN BANK VIEW (0), NAVIGATE TO SLOT, PRESS C. Hardware: HOLD COPY ON LAUNCHPAD + TAP PAD. THE CURRENT LIVE STATE IS FROZEN AS A, THE SLOT BECOMES B. THE DISPLAY SHOWS MORPH B → B1.3 (BANK.SLOT).
2. BLEND A→BKeyboard: Shift+↑ / Shift+↓ ADJUSTS BY +5% / −5%. WHEN MORPH B IS ACTIVE THESE KEYS CONTROL BLEND INSTEAD OF STOCHASTIC AMOUNT. Hardware: FADER 9 (CC 9) ON NANOKONTROL. 0% = ONLY A · 100% = ONLY B. THE BLEND PERCENTAGE IS SHOWN ON SCREEN.
3. CANCEL MORPHKeyboard: C ON THE SAME SLOT AGAIN IN BANK VIEW. Hardware: HOLD COPY + TAP SAME PAD.
MORPH BLENDS PATTERN PROBABILITY, NOTE, VELOCITY, GATE, AND ALL P-LOCK PARAMETERS INTERPOLATED ACROSS ALL 8 TRACKS SIMULTANEOUSLY. WHILE MORPH B IS ACTIVE, Shift+↑ / Shift+↓ CONTROL THE BLEND INSTEAD OF STOCHASTIC AMOUNT — THE SAME KEYS, CONTEXT-AWARE.

PLAY MODES

EACH TRACK CAN ADVANCE THROUGH ITS PATTERN IN A DIFFERENT WAY. MIXING MODES CREATES COMPLEX EVOLVING TEXTURES.

1
FORWARD
STANDARD LEFT-TO-RIGHT PLAYBACK. THE DEFAULT.
2
REVERSE
PLAYS THE PATTERN BACKWARDS FROM LAST STEP TO FIRST.
3
BOUNCE
ALTERNATES BETWEEN FORWARD AND REVERSE. BOUNCES AT EACH END.
4
RANDOM
EACH TICK PICKS A RANDOM STEP. FULLY STOCHASTIC PLAYBACK.
5
SNAKE
FORWARD THEN REVERSE IN A SINGLE CYCLE, SHARING END STEPS.
6
DRUNK
RANDOM WALK. EACH TICK MOVES +1 OR -1. SLOWLY DRIFTING PATTERNS.

SCALES

ALL NOTES QUANTIZED TO THE ACTIVE SCALE. CHANGING SCALE TRANSPOSES THE TRACK IN REAL TIME.

NAMEINTERVALSCHARACTER
MINORW H W W H W WDARK, EXPRESSIVE. DEFAULT.
MAJORW W H W W W HBRIGHT, RESOLVED.
DORIANW H W W W H WMODAL, JAZZY.
PENTAW W WH W WHPENTATONIC. OPEN, NO HALF-STEPS.
FRIGIAH W W W H W WPHRYGIAN. TENSE, FLAMENCO CHARACTER.

CONF VIEW

FULL-SCREEN OVERLAY WITH THREE TABS. OPEN WITH CTRL+M OR CMD+,. CLOSE WITH ESC.

CONF
MIDI INT 1MIDI4x4 Midi Out 1 ▼
MIDI INT 2— ▼
LAUNCHPADLaunchpad ▼
MIDI CTRL 1nanoKONTROL SLIDER/KNOB ▼
MIDI CTRL 2— ▼
STG
MAP
MOV
TABCONTENT
STGMIDI PORT ASSIGNMENT. CLICK ANY ROW TO CYCLE THROUGH AVAILABLE PORTS. ORANGE = ACTIVE CONNECTION.
MAPCC ASSIGNMENTS FOR ALL CONTROLS ACROSS ALL 4 PAGES. CLICK A ROW TO ENTER LEARN MODE.
MOVSAVE AND LOAD CC MAPPINGS AS JSON FILES.

CC MAPPING

EVERY CONTROL CAN BE ASSIGNED TO ANY MIDI CC. TWO PRESETS INCLUDED. CUSTOM MAPPINGS CAN BE SAVED AND SHARED.

CONF
1/4
PULSCC11:1
STEPCC12:1
PROBCC13:1
MODECC14:1
VEL CC15:1
SWNGCC16:1
RESLCC17:1
ROTACC18:1
STG
MAP
MOV
PRESETDEVICEKNOBS
DEFAULTKORG NANOKONTROLCC 11–18 (KNOBS) · 1–8 (FADERS) · 21–28 (BTN S) · 31–38 (BTN M)
LAUNCHKEYNOVATION LAUNCHKEY MK4 49CC 21–28 (8 KNOBS). NO FADERS OR BUTTONS.
LEARN MODE — CONF → MAPPING → CLICK ANY ROW → ROW PULSES ORANGE → MOVE PHYSICAL CONTROL → CC ASSIGNED.

IMP / EXP

EXPORT YOUR CC MAPPING AS A HUMAN-READABLE JSON FILE. SHARE OR EDIT BY HAND.

THE EXPORTED FILE LABELS EACH CC WITH ITS PARAMETER NAME AND PAGE.
ACTIONHOW
EXPORTCONF VIEW → IMP/EXP TAB → EXPORT. SAVES mapping.json TO DOWNLOADS FOLDER.
IMPORTCONF VIEW → IMP/EXP TAB → IMPORT. SELECT A mapping.json FILE. APPLIED IMMEDIATELY.
RESETLOAD THE DEFAULT NANOKONTROL PRESET FROM THE SAME TAB.

CHAIN & MIDI EXPORT

BUILD AN ORDERED SEQUENCE OF PATTERNS AND EXPORT IT AS A STANDARD MIDI FILE — ALL 8 TRACKS, WITH NOTES, CC LANES, PROGRAM CHANGES, PITCH BEND, AND RATCHET.

BUILDING A CHAIN

OPEN BANK VIEW (0), NAVIGATE TO A SLOT AND PRESS Space TO ADD IT TO THE CHAIN. THE SLOT SHOWS A GREEN BADGE WITH ITS POSITION NUMBER. REPEAT FOR EACH SECTION IN ORDER. A SLOT CAN APPEAR MULTIPLE TIMES.

ACTIONRESULT
Space ON FILLED SLOTADDS SLOT TO END OF CHAIN. IF ALREADY IN CHAIN, REMOVES LAST OCCURRENCE.
XCLEARS THE ENTIRE CHAIN.
F OVER TARGET SLOTFLATTENS THE ENTIRE CHAIN INTO THAT SLOT — CONCATENATES ALL PATTERNS INTO ONE LONG PATTERN AND LOADS IT IMMEDIATELY. THE CHAIN IS THEN CLEARED. MAX 8 SLOTS.
GREEN BADGE ON SLOTSHOWS POSITION(S) OF THAT SLOT IN THE CHAIN (E.G. "1", "3", "1,4").
THE CHAIN ALSO DRIVES LIVE PLAYBACK — THE SEQUENCER ADVANCES TO THE NEXT SLOT AUTOMATICALLY WHEN THE CURRENT PATTERN COMPLETES.
FLATTEN SUPPORTS UP TO 8 SLOTS — 8×64 STEPS = 512-STEP PATTERN, NAVIGABLE VIA Q/W (STEP PAGE ±). THE CHAIN CAN BE LONGER THAN 8 SLOTS FOR LIVE PLAYBACK, BUT FLATTEN REQUIRES ≤ 8.
THE CHAIN IS SAVED WITH THE SESSION — IT SURVIVES APP RESTARTS.

MIDI EXPORT

WITH A CHAIN BUILT, PRESS E. DOWNLOADS A TYPE-1 MIDI FILE (8 TRACKS, 480 PPQ).

WHAT IS EXPORTEDDETAIL
NOTESALL ACTIVE STEPS — FROM P-LOCKS, TONAL MELODY, OR ROOT NOTE.
NOTE LENGTH & GATEPER-STEP LENGTHS PRESERVED EXACTLY.
RATCHETMULTIPLE NOTE-ON/OFF EVENTS PER STEP WITH CORRECT SPREAD AND VELOCITY CURVE.
SWINGTIMING OFFSET APPLIED TO EVERY OTHER STEP.
CC LANESALL 8 CC LANES PER TRACK — VALUES FROM P-LOCKS WRITTEN AS CC EVENTS.
PROGRAM CHANGESENT AT THE START OF EACH SLOT IF ENABLED. P-LOCK PCS ALSO INCLUDED.
PITCH BEND & AFTERTOUCHPER-STEP VALUES FROM STEP RECORD.
TEMPOONE TEMPO META EVENT PER SLOT — EACH SLOT CAN HAVE ITS OWN BPM.
MUTED TRACKSEXCLUDED FROM MIDI OUTPUT.
THE FILE IS COMPATIBLE WITH ANY DAW (ABLETON, LOGIC, BITWIG…). IMPORT IT AS MIDI CLIPS TO CONTINUE EDITING.

KEYBOARD SHORTCUTS

ALL SHORTCUTS WORK IN THE WEB UI. MIDI KEYBOARD MUST BE ENABLED (MIDI IN CONFIGURED IN CONF → SETTINGS).

TRANSPORT

ACTIONKEY
PLAY / PAUSESpace
RECORD ON/OFFR
UNDOCmd+Z
REDOCmd+Shift+Z
BPM +1 / -1Cmd+↑ / Cmd+↓
BPM +10 / -10Cmd+Shift+↑ / Cmd+Shift+↓

TRACKS & PAGES

ACTIONKEY
SELECT TRACK 1–81 – 8
SELECT PARAM 1–8Alt+1 – Alt+8
PREV / NEXT PARAM← / →
PREV / NEXT PAGECmd+← / Cmd+→
ADJUST PARAM VALUE↑ / ↓
DUPLICATE PATTERNCmd+D
CLEAR TRACK (pattern + locks)Cmd+Backspace

STEP GRID

ACTIONKEY
TOGGLE STEPS 1–8 (current page)A S D F G H J K
STEP PAGE PREV / NEXTQ / W
NAVIGATE STEPSTab / Shift+Tab

P-LOCKS (STEP FOCUS MODE)

PRESS Enter TO ENTER STEP FOCUS MODE. THE SELECTED STEP IS HIGHLIGHTED IN THE GRID.

ACTIONKEY
ENTER / EXIT STEP FOCUSEnter
MOVE TO PREV / NEXT STEP← / → (in step focus)
NAVIGATE STEPSTab / Shift+Tab
NUDGE P-LOCK VALUE ±1↑ / ↓ (in step focus)
NUDGE P-LOCK VALUE ±5Shift+↑ / Shift+↓ (in step focus)
CLEAR P-LOCKS ON STEPBackspace (in step focus)
COPY STEPCmd+C (in step focus)
PASTE STEPCmd+V (in step focus)

STOCHASTIC

ACTIONKEY
TOGGLE STOCHASTIC (current param)M — shows result on screen (2.5 s)
RANDOMIZE STOCHASTICE — shows result on screen (2.5 s)
STOCHASTIC AMOUNT +5% / -5%Shift+↑ / Shift+↓

PATTERNS & BANKS

ACTIONKEY
OPEN BANK VIEW0 (zero) or B
NAVIGATE SLOTS↑ ↓ ← → (in bank view)
CHANGE BANKShift+← / Shift+→ (in bank view)
LOAD SLOTEnter (in bank view)
SAVE SLOTCmd+S (in bank view)
DELETE SLOTDelete / Backspace (in bank view)
ADD / REMOVE SLOT FROM CHAINSpace (in bank view)
CLEAR CHAINX (in bank view)
FLATTEN CHAIN → SLOTF (in bank view, cursor on target slot)
EXPORT CHAIN AS MIDIE (in bank view)
SET MORPH B (cursor slot)C (in bank view) — press again on same slot to cancel
MORPH BLEND +5% / −5%Shift+↑ / Shift+↓ — when morph B is active, these keys blend instead of adjusting stochastic amount
CLOSE BANK VIEWEscape

FILE IMPORT / EXPORT (JSON)

ACTIONKEY
SAVE BANK (current bank → JSON file)Cmd+Shift+S
LOAD BANK (JSON file → current bank)Cmd+Shift+O
SAVE PATTERN (active track → JSON file)Cmd+Shift+P
LOAD PATTERN (JSON file → active track)Cmd+Shift+L
ALL FOUR OPEN A NATIVE macOS FILE DIALOG. BANKS INCLUDE ALL 8 TRACKS AND ALL SLOTS. PATTERNS INCLUDE ONLY THE ACTIVE TRACK.

CONF VIEW

ACTIONKEY
OPEN / CLOSE CONFCtrl+M or Cmd+,
CLOSE CONFEscape